Jan Ziolkowski (A.B. Princeton
University, Ph.D. University of Cambridge) has focused his research and
teaching on the literature of the Latin Middle Ages. Within medieval
literature his special interests have included such areas as the
classical tradition in general, the grammatico-rhetorical tradition in
particular ("Literary Theory and Criticism in the Middle Ages"), the
appropriation of folktales into Latin, and Germanic epic in Latin
language. At Harvard he has chaired the Department of Comparative
Literature and the Committee on Medieval Studies, in addition to
(fleetingly) the Department of the Classics. He founded the Medieval
Studies Seminar, which continues to hold regular meetings in the Barker
Center that are open to the public. In his teaching he offers courses
mainly in Classics (Medieval Latin) and in Medieval Studies. Currently
he also directs Dumbarton Oaks Research
Library and Collection, a Harvard center in Washington, D.C., with
programs in Byzantine studies, Pre-Columbian studies, and Garden and
Landscape studies.
Publications Ziolkowski has written roughly a hundred
articles and such as well as around sixty book reviews. In books, his
older ones encompass critical editions of Medieval Latin texts (such as
The Cambridge Songs; Jezebel:
A Norman Latin Poem of the Early Eleventh Century; and two of poetry
by Nigel of
Canterbury), a book on intellectual history (Alan of
Lille's Grammar of Sex: The Meaning of Grammar to a Twelfth-Century
Intellectual), a book on literary history (), and collections of essays
written by himself and others (On Philology and Obscenity: Social Control and Artistic Creation in the European
Middle Ages).
His side interest in the history of scholarship is evidenced in the
introductions he has written for the 1993 Princeton University Press
reprint of Erich Auerbach's Literary
Language and its Public and the 1998 reprint of Domenico
Comparetti's Vergil in the Middle Ages. He also translated an
essay by Auerbach that was included as an appendix to the 2003
(fiftieth-anniversary) edition of Mimesis.
Over the past decade he has been involved in three collaborative
translation projects. The first of the three, The
Medieval Craft of Memory: An Anthology of Texts and Pictures,
coedited by Mary Carruthers, was published in hardcover in 2002 and came
into paperback in 2004. He edited an English translation of Dag
Norberg's Introduction to the Study of Medieval Latin Versification,
which was published in cloth and paper by Catholic University of America
Press in 2004. This analysis and interpretation of Medieval Latin
versification remains the standard work on the subject. Finally, a very
large anthology of Latin texts and English translations on The
Vergilian Tradition: The First Fifteen Hundred Years, coedited with
Michael C.J. Putnam, was printed by Yale University Press in 2008. Additional material is available on the website for the book: Virgilian Tradition
A final team project was
A Garland of Satire, Wisdom, and History: Latin Verse from
Twelfth-Century France (Carmina Houghtoniensia), which inaugurated
in 2007 the series of Houghton Library Studies, distributed by Harvard
University Press. It included the work of three former graduate
students, two of them Ph.D.-recipients in Medieval Latin philology.
In 2008 Ziolkowski initiated Harvard Studies in Medieval Latin.
The initial volume in this new series, also distributed by Harvard
University Press, is an edition and translation with commentary that he
produced himself and that bears the title Solomon and
Marcolf. Another volume of translations, with introductions and
notes, was published by Catholic University of America Press in 2008,
under the title Letters of Peter Abelard, Beyond the Personal. This volume
presents in English all the letters and letter-like texts by Peter
Abelard that do not form part of the famous "personal" letters exchanged
by Heloise and him.
Among other large projects is a book entitled Nota Bene:
Reading Classics and Writing Songs in the Early Middle Ages, which
appeared as Publications of the Journal of Medieval Latin 7 in
2007. Between the late tenth century and the late twelfth century, the
musical notation known as neumes was provided in dozens of mansucripts
for, among other texts, many of Horace's Odes as well as for
sections of epics by Vergil, Statius, and Lucan. This study seeks to
determine why these texts were chosen and how, where, when, and by whom
they were sung. Another book, Fairy Tales From Before Fairy Tales: The
Medieval Past of Wonderful Lies, published by University of Michigan
Press in 2007, sketches the complex connections that existed in the
Middle Ages between oral folktales and their written equivalents, by
examining specific Medieval Latin tets and the expressions of the same
tales in the "classic" fairy tale collections of the nineteenth century.
Medieval Latin at Harvard Undergraduates in Classics may
specialize in Medieval Latin as a degree option. Concentrators in
History and Literature, Literature, and Folklore and Mythology sometimes
make Medieval Latin a formal component in their degrees. Of course,
pursuing a degree or other formal accreditation in Medieval Latin is by
no means required of students who are interested in the field. After two
terms of college Latin or the equivalent, students may take Latin Bam
"Latin Prose Selections (Late Antique and Medieval)" and Latin Bbm
"Introduction to Latin Poetry (Late Antique and Medieval)." Other
courses at the 100-level or above (such as "Wisdom and Learning" and
"The Cambridge Songs") are open to students who have studied more Latin.
At one time or another graduate students in more than ten different
humanities departments and programs at Harvard have incorporated
Medieval Latin into their general examinations and/or their
dissertations. Although Medieval Studies at Harvard is decentralized,
the community is strong at all levels (undergraduates, graduate
students, faculty, and librarians). Links between the Committee on
Medieval Studies and the Department of the Classics have been
particularly numerous and strong in both Latin and Greek. Since the time
of the late Herbert Bloch, Classics has had a Ph.D. program in Medieval Latin
philology. Graduates have included Marc Laureys, who heads the
seminar for Medieval Latin and Neo-Latin philology at the University of
Bonn in Germany; Bridget Balint, assistant professor at Indiana
University; and Justin Lake, assistant professor at Texas A&M.
Comparative Literature, although it does not have an explicitly labeled
"medieval track," has attracted and accepted a number of medievalists
who have included Medieval Latin as either their major literature or one
of their minors.
Resources for Research Ziolkowski is very enthusiastic not
just about the people in the Harvard community but also about the
Harvard College Library, with its marvelous resources in printed
materials and electronic databases. For a sense of the Library's
holdings in general, conduct a sample search or two in the electronic
catalog HOLLIS. For information on
paper and electronic research materials in Medieval Latin (such as
dictionaries), consult "Inter
Libros: Gateway to Classics and Medieval Studies Research at
Harvard." For a sampling of the manuscript holdings in Houghton
Library, visit "Digital Medieval Manuscripts at Houghton
Library."
(Photo by Jeffry Pike)
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